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Bodybuilding Competitions

Bodybuilding Competitions

 

Clearly defined space in the music for major poses is usually extremely important. Some routines flow perfectly and gracefully through music without accentuating beats, but you can be confident that only a few competitors in a hundred can successfully achieve the beauty and grace of such a performance.

If you don't have a childhood background in dance or ballet, or you don't have a nearly perfect body with matching symmetry, try to select music with a pronounced beat where you can clearly put your strongest poses.

We can’t stress enough that you can have a great physique, but if you don’t know how to show it off, you won’t be doing any good in a competition.  Posing is so very important in competition.  It gives the judges an idea of what they are looking for in a competitor which is symmetry, muscularity, aesthetics, and proportions.

 

A good place to start learning about posing is to look through Bodybuilding magazines to see how the models are presenting themselves.  Try out a few of these poses while looking at yourself in a full-length mirror.  What works for one person may not work for you, but it just might!


Think about the beat of your music and then choose poses that go along with that beat.  Start out with your most powerful pose and hold it for 3 to 5 full seconds.  Make sure that your routine flows smoothly and there is enough time in between poses for a little fun.


What muscles should you be accentuating?  The easiest answer is all of them, but you will want to show off certain parts of your body specifically. 

 

You need to know your muscles, and we hope by now you do.  Here are some areas you will want to focus on:

 


• Front Double Bicep

 

Arms are out to the sides with biceps flexed and the competitor is facing forward towards the judges and audience.

 

• Front Lat Spread

 

Hands are located somewhere near the competitor’s waistline and elbows are flared out showing the lats. The competitor is facing forward.

 

• Side Chest

 

The competitor is turned so judges can see his profile. He has one calf flexed by raising his heel from the ground. Hands are clasped or wrist is grabbed with the back arm coming across the front of the torso somewhere below the pec line. The forward arm is pulled down and back toward the competitor’s rear. The chest is raised and flexed. The rib cage is usually expanded.

 

• Side Tricep

 

The competitor is in the same basic position as the side chest except his arms are clasped behind him. The forward arm is flexed straight down showing off the triceps. The back arm is stretched across the lower back and it’s hand is clasped with the forward arm’s hand.


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